Tradition · vocal gharana · India
Mewati gharana
The Mewati gharana of Hindustani vocal music, founded by Ustad Ghagge Nazir Khan (c.1820-1890) at the Mewar court in Rajasthan in the mid-19 century. The gharana combines the Dhrupad tradition's deep slow alaap development with the Khayal composition's melodic improvisation and the Thumri's expressive abhinaya. The gharana's major 20-century exponent was Pandit Jasraj (1930-2020), who defined the modern Mewati style with his distinctive 'Jasrangi' jugalbandi tradition (where a male and female vocalist sing simultaneously in different ragas but ending on a common sa). Pandit Jasraj's performance of the Haveli Sangeet temple tradition (particularly at the Pushti Marg Krishna temples of Nathdwara) revived the devotional-classical fusion that had declined in modern Indian classical music. The Pandit Jasraj Institute of Music (established 1986 in New Jersey) is the gharana's international institution. His disciples include Padma Shri Sanjeev Abhyankar and Padma Shri Sadhana Sargam.
- Function
- Arts & performance
- Tradition
- Hindustani vocal tradition; gharana histories
- Confidence
- Not assessed
- Location
- 28.103, 77.001
A gharana is a lineage/tradition rather than a simple place-bound institution; the mapped point is an origin, court, or major associated centre and should not be read as an exclusive birthplace.
Connections (1)
- Teaching lineageKirana gharana
Mewati and Kirana are the two gharanas that became nationally known in the twentieth century through a single performer each — Pandit Jasraj and Bhimsen Joshi — rather than through a court. Both treat the slow movement as the centre of the performance, and Mewati goes further in making the rāga a vehicle for devotional text rather than the other way round. Recording and radio did for them what patronage had done for the older lineages.
On these journeys
Sources
Wikipedia, “Mewati gharana”. Bonnie Wade and the standard gharana literature; IGNCA and Sangeet Natak Akademi oral-history collections.
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