Tradition · Buddhist mystic song tradition · Bangladesh
Charyāpada tradition
Also known as Charyapada tradition — Bengal/Odisha/Assam
The 8-12 century Charyapada tradition — a corpus of about 50 mystical Buddhist Tantric songs composed by 24 named Siddhas (Mahasiddhas) in Old Bengali / Apabhramsha vernacular, representing the earliest surviving literature in any eastern Indian vernacular language. The Charyapadas were composed by Pala-period Vajrayana Buddhist Siddhacharyas (including Luipa, Saraha, Kahnupa, Shabarapa, Bhusuku and others) between the 8th and 12th centuries at Nalanda, Vikramashila and Somapura mahaviharas, and across the eastern Indian region extending into Bengal, Odisha and Assam. The songs use the twilight language (sandhabhasha) code to convey Tantric spiritual experience through everyday metaphors — fishermen, boatmen, hunters, ale-brewers. The 1907 Haraprasad Shastri discovery of the Charyapada manuscript in the Royal Court Library at Nepal transformed Bengali and Assamese literary historiography. The Charyapada tradition is the common root claimed by Bengali, Assamese, Odia and Maithili literary histories.
- Function
- Text & inscription
- Tradition
- Charyapada manuscript tradition
- Confidence
- Not assessed
- Location
- 24.000, 90.000
Connections (1)
- Teaching lineageNabadwīp
The Charyāpadas are Buddhist Sahajiyā songs in a deliberately riddling idiom, written when Bengali, Assamese and Odia had not yet separated, and all three claim them as their first literature. Nabadwīp a few centuries later became the centre of Navya-Nyāya and then of Chaitanya's movement, so the same small stretch of Bengal produced the region's earliest poetry, its most technical philosophy and its most ecstatic devotion.
On these journeys
Sources
Wikipedia, “Charyapada”. Linguistic Survey of India (Grierson); Sheldon Pollock, The Language of the Gods in the World of Men.
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